Summary Cleo from 5 to 7 Flashcards - Film Studies A Level Eduqas Revision (2025)

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  • Module
  • Component 2: Global Filmmaking Perspectives
  • Institution
  • WJEC

Flashcards for film students studying Varda's Cleo from 5 to 7. Includes details regarding cast/crew, key themes, film form, context (biographical, institutional, political etc.) and key quotes from the film and filmmaking crew.Created and used by an A* film studies student.

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  • June 13, 2025
  • 3
  • 2024/2025
  • Summary

Subjects

  • film
  • studies
  • eduqas
  • wjec
  • a level
  • cleo from 5 to 7
  • cleo de 5 a 7
  • agnes varda

  • revision

  • flashcards

Written for

  • A/AS Level
  • WJEC
  • Film Studies
  • Component 2: Global Filmmaking Perspectives

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Summary Cleo from 5 to 7 Flashcards - Film Studies A Level Eduqas Revision (2)

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Cleo from 5 to 7 - Flashcards

Who directed Cleo from 5 to 7? Agnès Varda
When was Cleo from 5 to 7 released? 1962
Who plays Cleo? Corinne Marchand
When is the film set? Paris, 1960s (real time) (on-location)
What was Varda originally before becoming An artistic photographer
a filmmaker?
What was Varda’s first film? What was its ‘La Pointe Courte’ (1955)
style? -> documentary blended with fiction,
Nouvelle Vague style, photographic
style/artistic realism
How is Varda a feminist filmmaker? She focuses on female protagonists

Cleo passes the Bechdel test
(conversations with Angele and Dorothee
not involving a man)

Original approach as second wave
feminism hadn’t been invented yet
(consciously an auteur but unconsciously
a feminist filmmaker)
Where was the phrase auteur first used? Francois Truffaut in Cahiers du Cinema
(1954) - French New Wave
journal/magazine
Who developed the auteur theory? Andrew Sarris (in 1962 essay ‘Notes on the
auteur theory’)
What period was the French New Wave? 1958-1962
Who was associated with the origins of the Alexandre Astruc in his article “The Birth of
French New Wave movement? a New Avant-Garde: The Camera Stylo”
(1948)
-> wanted to move cinema into a more
literary art form rather than formulaic,
genre-bound, money motivated movies
What are some features of the French New - Breaking 4th wall
Wave style?
- Jump cuts

- Editing is not invisible – makes
audience conscious they are
watching a movie

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